Compared with the common Yellow-Green, Blue-Green Strontium Aluminate and Zinc Sulfide luminescent powders, the Orange-Red series has a unique orange or orange-red luminescent effect due to the innovation in raw materials and formulas of Calsium and Yttrium. The White luminescent powder has the similar characteristics to Orange-Red powder, so it’s also included in this series.

This series is non-toxic and harmless, and has excellent performance in application scenarios such as artistic creation and high-end product design that can be touched by the human body.

However, this series of products also has certain limitations: The luminous duration is only 5-20 minutes, the brightness is relatively weak, and the market price is generally high.

Therefore, the Orange-Red series is more suitable for fields that have lower requirements for luminous duration but attach great importance to color expression.

With its unique luminous color system, it occupies an advantageous position in artistic creation, high-end product design and creative industries, and has become an ideal choice for users who pursue personalized visual effects.

Currently, there are 7 different itmes in our Orange-Red & White series. Their characteristics are different:

Hot Sales colors:
The following four are the best-selling colors in the this series, with the widest application range.

Their body color is white, and the luminous brightness are the best in this series. Their color stability is high, and there is no odor.

White:
This white color is a mixture of several different luminous powders (At present, all the white luminous powder on the market is formulated in this way). Its white luminous color will not only gradually weaken over time, but also tend to getting light blue after about 3-5 munites. Here’s the reason: Why Does White Glow in the Dark Powder Glow Blue After A While?

We understand that most customers prefer pure white that does not change color, so we are currently conducting research and development, and have achieved some preliminary results. If interested in this, please contact us.

Two specials:

If a medium with good sealing and no micron-pores after curing, such as plastic, is selected to mix with these two colors, the odorant will be effectively sealed inside the finished product, and it will not smelling. However, when using a medium with micron-pores after curing, such as silicone and rubber, the odorant may escape through the pores, causing the finished product to be smelling of sulfide.

In addition, it should be noted that no matter what medium is used, when these two luminous powder are exposed to the air during the production process,the pungent odor will still be generated in the production environment. Therefore it is recommended to use JUICE-RED and DARK-RED based on the actual production situation and product requirements.

Due to the complex manufacturing process and high technical threshold of the Orange-Red & White series, the product cost increases, and its market price is significantly higher than other types of luminous powder by 3-6 times. ​

Although this series has the objective limitations of short luminous time and weak brightness, it has formed differentiated competitiveness in the luminous powder market with its unique Orange-Red & White luminous colors. This makes them stand out in the field of pursuing personalized visual presentation.

Based on the above characteristics, the Orange-Red & White luminous powder series is particularly suitable for high-end scenes with high requirements for product added value and visual effects, such as painting products, high-value artworks, jewelry, special decorations, cultural and creative products etc. By applying this series of luminous powder, it can inject unique artistic temperament into high-value products, accurately meeting the needs of the high-end market for personalized and differentiated visual experience.

• Like regular glow in the dark powder, the Orange-Red & White series needs to be mixed with colorless, transparent and PH neutral materials, such as paint, ink, plastic, silicone and other common materials.
• This series is not suitable for the scenarios that require long-term continuous luminescence. But if an additional excitation light source（UV）is used, its expressiveness and effect in practical applications can also be expanded through subsequent secondary supplementary irradiation.
• Regarding to Colors:
  • NOT mix with colored materials, which will cover the luminescence
  • After mixing with transparent materials, it is NOT recommended to add other dyes later, which will cover the luminescence.
  • NOT recommended to use on dark backgrounds, such as black, dark blue, dark green, etc. Dark backgrounds will absorb the luminescence, resulting in poor luminous effect.